Friday, January 4, 2013

Digital Winter: A Book That Won’t Leave You Cold

Digital Winter by Mark Hitchcock & Alton Gansky (Harvest House Books, 2012) is an attention-getting, face-paced read that keeps you turning the page. What more could you ask from a piece of speculative fiction? Yet some people seem bothered by the fact that Mark Hitchcock is a Biblical prophecy expert. However if you enjoy reading dystopia fiction as I do, who better to write it? Couple Hitchcock’s frightening vision of the future with Alton Gansky’s award-winning skills as a novelist and you have a real winner.

I found Digital Winter to have a realistic present-day setting full of the probable military linguistics and security precautions that are appropriate in our digital world according to my readings in the Federation of American Scientist’s Secrecy Blog. There’s the initial discovery of an self-replicating computer virus, suspicions of terrorists, the rush of the President to a secure location and the crumbling infrastructure of a computer-dependent society post-computers.

The story begins with the introduction of Stanley Elton, a successful CEO for San Diego’s largest CPA firm, and his college professor wife, Royce. They are the parents of an elusive central character, Donny. Donny Elton is a 22-year old, monosyllabic computer savant who appears to be a silent central character throughout the novel. The story then moves in quick, short scenes that take us from the upper-class suburb of Coronado Island in San Diego to College Park, Maryland and introduces us to Dr. Roni Matisse and her husband, Colonel Jeremy Matisse, PhD, who is a major figure in the USCYBERCOM division of the NSA, who is by the way a Christian. Life through Jeremy’s eyes shows us the backstage story of the coming digital disaster. It includes enough description and brief history of the setting to give the reader a sense of place without becoming bogged down in excessive details. We follow these characters through standard dystopian events such as losing power, water and the general breakdown of civic order as officials try to stave off social disaster and restore some semblance of order.

Even though those of us familiar with the genre know the story line, we keep reading anyway because we are curious to see where the story will take us and how Shadow, a recurring symbol throughout the novel, plays into events. For instance, why is Donny suddenly making full sentences after years of saying only one word? It is Donny’s opening line of “Shadow, shadow on my right, / Shadow, shadow on my left, / Shadow, shadow everywhere, / Shadow has all the might,” that  reappears at critical points throughout the story, leaving us to wonder about its meaning and Donny’s relationship to it.

The only aspect of this novel that felt surrealistic to me are the main characters. Both the Eltons and the Matisses are professional couples with long-term marriages who are still deeply in love. Maybe it’s just my personal history of being raised in a single-parent home, becoming a single parent myself and not knowing many couples with a long-term love, but their relationships did make me question their character’s validity.

Other than that, I loved the novel enough to read the entire thing one Saturday morning. Though the battle between good and evil is not as flamboyantly obvious as Steven King’s The Stand, but I think that works in the Digital Winter’s favor. I definitely recommend it and look forward to reading the sequel.

Rhodes FitzWilliam