Saturday, February 20, 2016

A Universal Divide, both Social and Spatial


An unsolicited review of Across the Universe by Beth Revis
Across the Universe, by Beth Revis, is a Young Adult dystopian novel about a 300-year mission to settle a new home on Centauri-Earth because resources on Sol-Earth have been depleted. The story is told from the first-person point-of-view of two teenagers. Amy was born on Earth and raised in a traditional family. Elder was cloned on the space ship, Godspeed, during its trip and doesn’t understand the concept of family. The chapters alternate between these two main characters to set up the contrast between Earth-that-was and the social changes that have occurred during the multi-generational trip.

The story’s opening grabs the audience with Amy facing a teenagers’ worst fears: leaving her home, her boyfriend, losing her parents, and seeing them naked. Amy’s mother is a scientist renowned for her genetic splicing work, which will help grow crops in the alien soil. She’s essential to the mission and must go. Her father is a battlefield analyst in the Army, a tertiary figure in the overall goal to claim a new planet for humanity. Amy’s mother wants her to go with them, so thinks Amy should be the first to be processed in the cryogenics chambers. Amy’s father insists that Mom goes first so Amy can see the process. And what a process it is! Amy sees her mother naked for the first time and it surprised by “her…rice-paper-thin” skin and “her stomach [which] sagged in a wrinkly sort of way that made her look even more vulnerable and weak.” No wonder Amy is disconcerted by the workers’ indifference while processing Mom in a clear cryo box that looks like a coffin. These uncaring workers pierce Mom’s pale skin with IV needles and simple say, “Relax,” which is “not a kind suggestion.” The fluid in the IV bag is as thick as honey and Mom “hissed in pain… [her eyes] filled with water.” If that weren’t bad enough, the second IV bag is filled with “blue goo… [that] glowed…her eyes were clamped shut, two hot tears dangling on her lashes.” As the indifferent worker squeezes the IV bag to force the fluid faster, Mom bites her lip until it bleeds and she “whimper[s], soft, like a dying kitten.” Watching Mom in the cryo bed reminds Amy of another coffin when she was “looking down at Grandma last year at the church, when we all said goodbye.” The workers are impatient to “get on with it” as they push lens into Mom’s eyes with “big, calloused” hands. Then they force three thick tubes down Mom’s throat and the cryo bed fills with “water flecked with sky-blue sparkles.” After watching this terrifying process, Daddy surprises Amy by giving her a choice of whether to go through the cryo process and travel to the new planet with them or to stay on Earth with her aunt and friends. He then goes through the process himself, leaving Amy to choose without parental input. The choice between the familiarities of the life she’s known or the uncertain life that would keep Amy with her parents is difficult. Dad giving Amy this choice shows he respects her as a young adult. It’s an adult choice thrust upon on a teenager, but what teenager doesn’t want that respect from their parents? Both prospects seem terrifying to Amy, however she chooses to go with her parents. Amy’s goes through the painful freezing process, consoling herself with, “At least I’ll sleep. I will forget, for three hundred and one years, everything else.” But Amy’s cryogenic state is anything but unconscious. She thinks about her old life and floats in an uncertain consciousness the entire time she’s frozen.
By contrast, Elder doesn’t have a choice which path his life takes. He was cloned specifically to be the next leader of the Godspeed as it hurdles half-way through its journey to Centauri-Earth. The ship is divided into different levels and the only the current and future leaders are allowed on the Keeper Level. Eldest and Elder share this level, but not all the knowledge of its workings. The Shipper Level is only for those who maintain the ship and the Feeder Level is for the simpler farmers and their fields. Though the ship is huge, it’s still confining for the growing population, so privacy and closed doors are greatly respected. Therefore there are no locked doors on Godspeed… except one. Eldest keeps his room locked and keeps secrets that are important for Elder to know as future leader. Eldest has also kept Elder from seeing the great engine that powers the ship and the hatches through which the stars can be viewed. And certain files about the Plague that wiped out a large portion of the population. It’s little wonder that 16-year-old Elder is frustrated by his mentor’s secretiveness. Eldest reluctantly reveals his secrets one at a time and only as needed for training his student. It is a sign that Eldest lacks respect and trust for Elder. Though the people see Eldest as a compassionate protector who is always kind to them, Elder sees his flashes of rage and his threatening demeanor. The tension between Elder and Eldest is apparent and we know there is trouble brewing.

The previous leaders of Godspeed tried to eliminate potential trouble among their people by altering them to be the same. Everyone on the ship has “the same olive skin, the same dark brown hair and eyes” and speak the same language. However, the leaders couldn’t have predicted that someone would thaw the cryo tube sleepers early, killing some and leaving only one alive. Amy is thawed and almost dies during the unsanctioned awakening. Her creamy white skin and flaming red hair are a curiosity and a danger to the mono-ethnic stability of Godspeed. The introduction of someone so different upsets Eldest and he tries to keep Amy under wraps in the hospital. What upsets Eldest more is that Elder is captivated by Amy’s stark differences in appearance and her fiery temper, which causes her to stand up against Eldest. Elder and Amy form a friendship that angers Eldest. He wants to keep them apart so Elder’s vision for Godspeed will the same as his. What is worse, Elder sneaks Amy out of the hospital to explore the ship and together they secretly investigate the murders of the other sleepers.
The plot moves smoothly from one crisis to another, leaving small clues as to the next predicament awaiting the two teenagers. It is resplendent with description of the new culture that has evolved over generations in space, but not to the point of being a distraction to the reader. I recommend this book, not only to young readers, but to adults who sometimes need a simpler read without impediments. My sister recommended this book to me, so I, in turn, recommend it to you.

Happy reading until the next book review. If you care to join me, I’ll be reading Red Rising by Pierce Brown. Please don’t forget to add your comments agreeing or disagreeing with my opinion and adding your take on the story.

A “Visit” to the Geriatric Zone

A Review of The Visit, a movie written and directed by M. Night Shyamalan

The Visit is a bizarre 2015 movie with twists of geriatric horror and humorous flashes – I use that term loosely - of insight into the incongruous behaviors of the elderly, supposedly experiencing sun-downing. It opens with an estranged daughter being interview for a family film documentary by precocious daughter Becca (Olivia DeJonge). Becca asks Mom about her relationship with her parents. However, Mom refuses to talk about the actual events which caused the estrangement, leaving us to question why she allows her two children to visit parents she hasn’t contacted in fifteen years. As a parent, I found it strange that the mother, played by Kathyrn Hahn, would allow her children to board a train by themselves to visit grandparents they don’t know and to whom she hasn’t spoken in years. My first question was, “Why didn’t Mom take them to their grandparents to ease the transition and get to know more about her own parents before leaving the kids with them?” My question was well-founded, as the grandparents’ questionable behaviors prove.

Becca and her want-a-be rapper brother, Tyler (Ed Oxenbould), video-document their journey into the sparsely populated mountains and their week-long vacation with Nana (Deanna Dunagan) and Pop Pop (Peter McRobbie). At first, the movie seems like a Blair Witch knockoff and drags on with 9:30 bedtimes and simple, filmed interviews with Nana and Pop Pop. Then it takes a strange twist of humor with Nana playing a frightening game of hide and seek under the house and flashing her buttocks through a torn skirt. I don’t know about other older people, but my knees would never allow that! And Pop Pop hides poopy adult diapers in the shed. Sometimes funny, sometimes startling, the events turn frightening for the children when they decide to hide the camcorder in the living room.

This movie won the Fright Meter Awards for 2015 and was nominated for the Fanogira Chainsaw Awards for Best Wide-Release Film (M. Night Shyamalan) and Best Supporting Actress (Deanna Dunagan), Golden Schmoes Awards for Best Horror Movie of 2015 and Phoenvix Film Critics Society Awards for Best Performance by a Youth (Ed Oxenbould). But frankly, after watching the movie, I couldn’t decide whether I liked it or not. It’s tinged with gerontophobia and moves like a rollercoaster, slow at first, then speeding along an unsettling track only to take a surprising turn at the end. Then I realized that, along the way, there are small interactions between Becca and Tyler that reveal a nurturing relationship and that the ending holds a moral to the story that embraces truth for all of us. In the end, I decided that I like the firm, but I probably won’t watch it again. I don’t recommend for children who still visit aged grandparents, because it is a frightening walk through the geriatric zone. I’m glad I saw The Visit, but I won’t be adding it to my collection, hence the three-star rating. If you have a different opinion, I’d love to hear it!